Press · 10 entries

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rehearsal · april 2026 rehearsal · april 2026
2026 1 entry
  1. No. 01
    Review 2026 - 18 May

    Orchestra of St. Luke's premieres 'in song we conspire'

    The New Yorker · Alex Ross

    Janata's score begins almost imperceptibly, with a low pedal that you only realize is there once it has begun to change. By the time the chorus enters - a soft, collective utterance that seems to gather itself out of the strings - the effect is overwhelming.

2025 2 entries
  1. No. 01
    Review 2025 - 30 Nov

    JACK Quartet finds new depth in Janata's 'Vesper'

    The Strad · Ariane Todes

    The string quartet's three nocturnes and a dawn - twenty-two minutes of breath and silence - were given a reading of extraordinary intimacy. JACK seemed to find, inside the score, the shape of a private grief working itself toward acceptance.

  2. No. 02
    Review 2025 - 22 Apr

    The Crossing illuminates Janata's 'Magnificat'

    Philadelphia Inquirer · David Patrick Stearns

    Donald Nally led his ensemble through a setting of remarkable transparency. Janata's vocal writing is choral in the truest sense - eleven minutes that feel less like a composition than a prayer arrived at collectively, in real time.

2024 1 entry
  1. No. 01
    Review 2024 - 11 Nov

    Alarm Will Sound brings 'GRAVI' to vivid life

    The Boston Globe · Jeremy Eichler

    Pierson's ensemble is famous for its precision, but here, in nine minutes of weighted, gravitational sound, what they offered was something rarer - the willingness to let a piece breathe at exactly its own tempo.

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